How does a photograph become a territory?
Bringing together works by Graciela Iturbide, Dulce Pinzón, Persia Campbell, and Alfredo De Stefano, Mapping Imaginaries examines photography’s capacity to give form to ritual, migration, labor, landscape, and memory. Across distinct practices and visual languages, the exhibition reveals how photographs participate in the construction of symbolic worlds, emotional geographies, and collective imaginaries.
At the center of the exhibition is the work of Graciela Iturbide, whose photographs have profoundly shaped the visual culture of Mexico through images where ritual, spirituality, myth, and everyday life converge. Her work opens a dialogue that extends through Dulce Pinzón’s reflections on migration and labor, Persia Campbell’s exploration of border experience, and Alfredo De Stefano’s interventions within the landscape.
Presented in Little Haiti, a neighborhood shaped by movement, cultural exchange, and layered histories, Mapping Imaginaries brings together photographic practices that ask how places are constructed, carried, and transformed through image.